Sunday, September 27, 2009

Learn to Draw Like the Masters: Dragons (Eugene Caine)

Learn to Draw Like the Masters: Dragons
Eugene Caine
Walter Foster Books
Nonfiction, YA? Art
**** (Good)

DESCRIPTION: Throughout history, dragons have been a popular subject for artists around the world. While dragons today are exceptionally rare, many of history's great art masters left behind masterful renderings of their own encounters with the great beasts. Modern dragonologists and artists alike can learn much from their techniques, as the author demonstrates through several studies and exercises.

REVIEW: This is one of the most unusual dragon drawing books I've come across. It stars with the not-entirely-original idea that dragons are real, if remarkably rare and elusive, and that important historical figures were part-time "dragonologists" (a word coined by Dugald A. Steer's incredibly popular Dragonology series, I believe, and now in danger of being overused.) Caine, however, applies this idea to the world of classical art. Using images both authentic and imaginary, he demonstrates various art techniques used by the masters - including Da Vinci, Picasso, Rubens, and Van Gogh - with dragons as a common subject. There's a nice section on dragon anatomy and art media, then step-by-step demonstrations highlighting each artist's particular style. He also describes how to artificially age one's dragon sketches to make them look like old documents, a process I found oddly fascinating. I had a minor quibble with some of his anatomy; for all that he did an excellent job drawing a dragon skeleton (and actually remembering the "elbow" of the wing, which many artists sadly overlook), his main demonstration sketch has an impossible secondary "wrist" in the far forelimb that not only runs counter to general anatomy, but to his own dragon skeletal sketches (and the anatomy of the other forelimb on the same exact dragon drawing.) At least, I can't work out how that joint could possibly flex the ways he shows it and still be based on the same skeleton - it looks distractingly awkward, not to mention painful. That aside, I enjoyed the variety of techniques demonstrated, and I liked how he explained that all art styles have merit, even when drawing dragons. This book should appeal to dragon lovers and aspiring artists alike, teaching art appreciation as well as technique. An enjoyable book all around!

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