The Eyes of the Dragon
Stephen King
Signet Books
Fiction, Fantasy
***+ (Okay/Good)
DESCRIPTION: Once upon a time, in the kingdom of Delain, there lived a king known as Roland the Good... a man who may have been no more good or evil than most, but
who had at his shoulder a sinister demon of a Court Magician, Flagg. Perhaps it was Flagg's influence, or perhaps it was Roland's own weakness, but the king's son Thomas grew up feeling so insecure and unloved and inadequate that he would be the perfect pawn to finish off the magician's centuries-long Plan: destroying the long line of Delain's royalty and unleashing generations of chaos and bloodshed. Unfortunately, Thomas's beloved older brother, Peter, stands to inherit the crown. But when Roland is poisoned and Peter convicted of regicide, nothing stands in the path of Flagg's victory... nothing, perhaps, except the bonds of loyalty, memories of love, and the slender threads of hope rooted in a long-lost gift.
REVIEW: Despite a certain fairy-tale charm, if one with dark undertones, this book ultimately feels like a short story - or, at best, a novella - fluffed and
stretched out to paperback length. It tells itself in endless circles, with the omniscient storyteller narrator telegraphing major developments only to annoyingly dance
and delay and backtrack, while deliberately omitting key elements just to shock (or, in my case, irritate) the reader. The world of Delain is a generalized sketch, a hazy
watercolor backdrop with hints of magic but only a vague sense of cohesiveness. Likewise, the characters tend to be exaggerated figures straight out of a storybook - which, I suppose, is entirely appropriate given the tone of the tale. King creates some interesting imagery now and again, but I found myself too restless from the deliberate meandering pace to truly immerse in this story. I've read worse, though.
You Might Also Enjoy:
The Book of Three (Lloyd Alexander) - My Review
The Phoenix on the Sword (Robert E. Howard) - My Review
The Hobbit (J. R. R. Tolkien) - My Review
Tuesday, August 5, 2014
Thursday, July 31, 2014
The Woodland Folk in Dragonland (Tony Wolf)
The Woodland Folk in Dragonland
(The Woodland Folk series)
Tony Wolf
Rand McNalley
Fiction, YA Picture Book
***+ (Okay/Good)
DESCRIPTION: For centuries, the primitive villagers of Dragonland, where the Dragosaurs rule, had no idea that, just beyond the high mountains surrounding their home, lay the green world of the woodland gnomes. Then the evil gnome Franz kidnapped the hapless Dragonsir for vengeance against his own people. Thus two worlds collide in a conflict that may lead to all-out war.
REVIEW: An older picture book, I unearthed it during reorganization efforts. The illustrations brim with imagination, full of fun little details that create a whole, if distinctly blunt-edged and cartoonish, world. The story itself feels very old-fashioned, however, with simple stereotype-based characters acting out a plot in which nobody really gets hurt (even if naughty little dragonlings get spanked by their mother - but their skin's tough, so the audience is reassured that it's not so bad.) The bad gnome even has an over-the-top German accent. Still, the pictures are fun, and it brought back some nice memories, even if it doesn't hold up particularly well for adult readers.
You Might Also Enjoy:
Dragon World (Rob Brown) - My Review
Usborne Fantasy Quests (Andy Dixon) - My Review
Sir Toby Jingle's Beastly Journey (Wallace Tripp) - My Review
(The Woodland Folk series)
Tony Wolf
Rand McNalley
Fiction, YA Picture Book
***+ (Okay/Good)
DESCRIPTION: For centuries, the primitive villagers of Dragonland, where the Dragosaurs rule, had no idea that, just beyond the high mountains surrounding their home, lay the green world of the woodland gnomes. Then the evil gnome Franz kidnapped the hapless Dragonsir for vengeance against his own people. Thus two worlds collide in a conflict that may lead to all-out war.
REVIEW: An older picture book, I unearthed it during reorganization efforts. The illustrations brim with imagination, full of fun little details that create a whole, if distinctly blunt-edged and cartoonish, world. The story itself feels very old-fashioned, however, with simple stereotype-based characters acting out a plot in which nobody really gets hurt (even if naughty little dragonlings get spanked by their mother - but their skin's tough, so the audience is reassured that it's not so bad.) The bad gnome even has an over-the-top German accent. Still, the pictures are fun, and it brought back some nice memories, even if it doesn't hold up particularly well for adult readers.
You Might Also Enjoy:
Dragon World (Rob Brown) - My Review
Usborne Fantasy Quests (Andy Dixon) - My Review
Sir Toby Jingle's Beastly Journey (Wallace Tripp) - My Review
July Site Update
The previous seven reviews are now archived and cross-linked on the main site.
Enjoy!
Sunday, July 27, 2014
Becoming a Dragon (Janice Light)
Becoming a Dragon
Janice Light
Amazon Digital Services
Fiction, Fantasy
*** (Okay)
DESCRIPTION: Mariana only wanted to retire in peace and comfort in a small, quiet town, trading her mercenary sword for an innkeeper's apron. But Lord Roland's cruel regime and constant tax increases have broken the back of the land. Worse, he even steals the tributes meant for the dragons, the traditional tithes required to keep the beasts away from human lands, ignoring the warnings of the few remaining dragonspeakers. Now word is coming that Lord Roland himself is on his way to wring the last drops of blood from the town. If only there were a way to teach the arrogant man what horrors his greed will bring on the people...
A Kindle-exclusive title.
REVIEW: This short fantasy tale reads fast, but doesn't linger long in the memory. Light creates a world that has potential, here, but doesn't quite place me inside it. The characters serve their purposes, acting out a plot that, save one or two minor twists, plays out about like one expects. It's not a bad little tale, in the end, but it just didn't do much for me.
You Might Also Enjoy:
Dragon's Keep (Janet Lee Carey) - My Review
Dragonheart (Charles Edward Pogue) - My Review
Here, There be Dragons (Jane Yolen) - My Review
Janice Light
Amazon Digital Services
Fiction, Fantasy
*** (Okay)
DESCRIPTION: Mariana only wanted to retire in peace and comfort in a small, quiet town, trading her mercenary sword for an innkeeper's apron. But Lord Roland's cruel regime and constant tax increases have broken the back of the land. Worse, he even steals the tributes meant for the dragons, the traditional tithes required to keep the beasts away from human lands, ignoring the warnings of the few remaining dragonspeakers. Now word is coming that Lord Roland himself is on his way to wring the last drops of blood from the town. If only there were a way to teach the arrogant man what horrors his greed will bring on the people...
A Kindle-exclusive title.
REVIEW: This short fantasy tale reads fast, but doesn't linger long in the memory. Light creates a world that has potential, here, but doesn't quite place me inside it. The characters serve their purposes, acting out a plot that, save one or two minor twists, plays out about like one expects. It's not a bad little tale, in the end, but it just didn't do much for me.
You Might Also Enjoy:
Dragon's Keep (Janet Lee Carey) - My Review
Dragonheart (Charles Edward Pogue) - My Review
Here, There be Dragons (Jane Yolen) - My Review
Thursday, July 24, 2014
The Clockwork Cathedral (Heather Blackwood)
The Clockwork Cathedral
(The Time Corps Chronicles, Book 1)
Heather Blackwood
Triple Hare Press
Fiction, Sci-Fi
**+ (Bad/Okay)
DESCRIPTION: Felicia Sanchez, a medical student, just wanted to get home after her shift at Tulane Hospital... but suddenly a man on horseback appeared in front of her bus. She jumped out to help him - and the bus vanished, leaving her stranded in the middle of 1850s New Orleans. Only this isn't quite the past as she learned it. Steam-powered omnibuses share the streets with horse-drawn carriages, and the cathedral features clockwork automata displays beyond anything she's heard of. With no idea where she is or how she got here, she must rely on a strange and stubborn man, whose experiments may have inadvertently pulled her from her own place and time.
Professor Seamus Connor has built a respectable life for himself in America - no small feat for an Irish immigrant, especially one living under an assumed name after breaking out of prison. His life might be even better, but his former friend (and cellmate) Oren McCullen stole the plans for the peroxide-powered engine they designed and parlayed it into a fortune. Furthermore, he somehow increased its power output far beyond what should be possible; it was Connor's tinkering with a McCullen engine that created the rift through which Miss Sanchez passed. The woman seems little better than a barbarian, with entirely unsuitable clothing for a female and no manners to speak of, but he can't shirk his obligation to her - but for his meddling, after all, she wouldn't be stuck in a time that has little use for women, especially learned Hispanic women.
As Seamus and Felicia attempt to unravel the mysteries of the time rifts and the McCullen engines, it soon becomes apparent that greater factors are at work, with ties to a recent presidential assassination and a brewing war that could have devastating consequences for the whole world.
REVIEW: This tale of steampunk and time travel starts slow, and seems reluctant to build momentum. Felicia starts out an innocent victim, if annoyingly slow on the uptake about her transference to another time, but I got irritated with her as I got to know her better. One of the first things she does, when she accepts that she's in the 1850's, is nag Seamus about why he isn't taking a stand against social injustices like slavery. If she had been shown to be an activist in her own time (which isn't quite ours, just as this past isn't quite her past), it might've made sense, but instead it comes across as an ungrateful house guest nagging the host about the state of their garden when her own garden has more than a few weeds in it itself. Seamus, meanwhile, is so blinded by his time's views on women and minorities that it constantly surprises him when she fails to conform to his expectations of ineptitude... though at least he's shown to be a man too lost in his own head to really have noticed a woman before now. A subplot involves Henry, a homeless girl posing as a boy on the streets, who ran way from her aunt and uncle because of abuse and molestation. Instead of the outrage and rush of concern that I should've felt on reading this, I only rolled my eyes; yes, child abuse in any form is a horrific thing, a trauma that never quite heals, but the perverted uncle and evil aunt have become such tired cliches by now that I expected it long before it was revealed. Is that really all authors can think to do to traumatize women and girls? The series title, Time Corps, telegraphs the arrival of a mysterious agent who seems intent on helping Seamus crack the McCullen engine riddle, yet who also actively refuses to help, bound by inconsistent and contradictory rules. He keeps teasing like that too-clever guy in the room who only asks questions he alone knows the answers to, then just grins and shrugs and refuses to even hint to help his frustrated audience. Why should I care about him or his loosely-implied colleagues? Furthermore, why should I follow a series about them? As for the alternate timelines, the more I learned about them the less sense they made. If they'd been direct parallel worlds with minor variations, it wouldn't have been so bad, but then there turn out to be significant anatomical differences between people from Felicia's world and Seamus's, leading me to suspect that they might not even both be Homo Sapiens Sapiens... which makes it highly improbable that their histories should so closely parallel each other's, down to the same last names for important historical figures. As all this is sorting itself out, more or less, the story clunks and rattles along with far too many explanatory tangents between plot points, eventually reaching a pyrotechnic finale and a conclusion that completely forgets one of Felicia's key motivations. While I found some elements of Blackwood's tale intriguing, and her steampunk-flavored antebellum New Orleans had some nice imagery, I just couldn't connect with the characters, and the story didn't engage me enough to tempt me for further Time Corps adventures.
You Might Also Enjoy:
Nick of Time (Ted Bell) - My Review
Broken Wings (Sylvie Kurtz) - My Review
Serpent of Time (Eugene Woodbury) - My Review
(The Time Corps Chronicles, Book 1)
Heather Blackwood
Triple Hare Press
Fiction, Sci-Fi
**+ (Bad/Okay)
DESCRIPTION: Felicia Sanchez, a medical student, just wanted to get home after her shift at Tulane Hospital... but suddenly a man on horseback appeared in front of her bus. She jumped out to help him - and the bus vanished, leaving her stranded in the middle of 1850s New Orleans. Only this isn't quite the past as she learned it. Steam-powered omnibuses share the streets with horse-drawn carriages, and the cathedral features clockwork automata displays beyond anything she's heard of. With no idea where she is or how she got here, she must rely on a strange and stubborn man, whose experiments may have inadvertently pulled her from her own place and time.
Professor Seamus Connor has built a respectable life for himself in America - no small feat for an Irish immigrant, especially one living under an assumed name after breaking out of prison. His life might be even better, but his former friend (and cellmate) Oren McCullen stole the plans for the peroxide-powered engine they designed and parlayed it into a fortune. Furthermore, he somehow increased its power output far beyond what should be possible; it was Connor's tinkering with a McCullen engine that created the rift through which Miss Sanchez passed. The woman seems little better than a barbarian, with entirely unsuitable clothing for a female and no manners to speak of, but he can't shirk his obligation to her - but for his meddling, after all, she wouldn't be stuck in a time that has little use for women, especially learned Hispanic women.
As Seamus and Felicia attempt to unravel the mysteries of the time rifts and the McCullen engines, it soon becomes apparent that greater factors are at work, with ties to a recent presidential assassination and a brewing war that could have devastating consequences for the whole world.
REVIEW: This tale of steampunk and time travel starts slow, and seems reluctant to build momentum. Felicia starts out an innocent victim, if annoyingly slow on the uptake about her transference to another time, but I got irritated with her as I got to know her better. One of the first things she does, when she accepts that she's in the 1850's, is nag Seamus about why he isn't taking a stand against social injustices like slavery. If she had been shown to be an activist in her own time (which isn't quite ours, just as this past isn't quite her past), it might've made sense, but instead it comes across as an ungrateful house guest nagging the host about the state of their garden when her own garden has more than a few weeds in it itself. Seamus, meanwhile, is so blinded by his time's views on women and minorities that it constantly surprises him when she fails to conform to his expectations of ineptitude... though at least he's shown to be a man too lost in his own head to really have noticed a woman before now. A subplot involves Henry, a homeless girl posing as a boy on the streets, who ran way from her aunt and uncle because of abuse and molestation. Instead of the outrage and rush of concern that I should've felt on reading this, I only rolled my eyes; yes, child abuse in any form is a horrific thing, a trauma that never quite heals, but the perverted uncle and evil aunt have become such tired cliches by now that I expected it long before it was revealed. Is that really all authors can think to do to traumatize women and girls? The series title, Time Corps, telegraphs the arrival of a mysterious agent who seems intent on helping Seamus crack the McCullen engine riddle, yet who also actively refuses to help, bound by inconsistent and contradictory rules. He keeps teasing like that too-clever guy in the room who only asks questions he alone knows the answers to, then just grins and shrugs and refuses to even hint to help his frustrated audience. Why should I care about him or his loosely-implied colleagues? Furthermore, why should I follow a series about them? As for the alternate timelines, the more I learned about them the less sense they made. If they'd been direct parallel worlds with minor variations, it wouldn't have been so bad, but then there turn out to be significant anatomical differences between people from Felicia's world and Seamus's, leading me to suspect that they might not even both be Homo Sapiens Sapiens... which makes it highly improbable that their histories should so closely parallel each other's, down to the same last names for important historical figures. As all this is sorting itself out, more or less, the story clunks and rattles along with far too many explanatory tangents between plot points, eventually reaching a pyrotechnic finale and a conclusion that completely forgets one of Felicia's key motivations. While I found some elements of Blackwood's tale intriguing, and her steampunk-flavored antebellum New Orleans had some nice imagery, I just couldn't connect with the characters, and the story didn't engage me enough to tempt me for further Time Corps adventures.
You Might Also Enjoy:
Nick of Time (Ted Bell) - My Review
Broken Wings (Sylvie Kurtz) - My Review
Serpent of Time (Eugene Woodbury) - My Review
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