The Collapsing Empire
The Interdependency series, Book 1
John Scalzi
Tor
Fiction, Humor/Sci-Fi
***+ (Okay/Good)
DESCRIPTION: In time almost lost to record and memory, humans reached out from their insignificant homeworld and discovered the Flow, a "current" enabling faster-than-light travel... but, like a river of sorts, ships can only get "on" or "off" at certain "shoal" points. Though the Flow connections to and from Earth were lost generations ago, the human Interdependency thrives, a network of worlds spread across hundreds of light years ruled by the emperox, the church, and the merchant guild monopolies that keep each colony dependent on the others for survival. For all that rides on the Flow, however, few have bothered to study and understand it. It's always been there for humans to exploit, after all, and surely it always will be.
Recent disruptions in Flow transit have created shipboard rumors, but nobody in the upper echelons seems to be listening. Too many people in power have too much money riding on the status quo remaining status quo. But the rise of a new and unprepared emperox, a power grab by the Nohamapaten guild, a rebellion on the far-flung world of End, and a secret researcher's chilling conclusions will force the Interdependency to face the one thing it never wanted to see: the unstoppable collapse of the Flow network, leading to humanity's inevitable extinction.
REVIEW: In part, I admit that this book is a victim of timing. I read it as my nation and our world are facing down apparent inevitable collapses which have been coming, warned about and ignored for years, decades, generations even... and I'm watching as, like the people running the Interdependency, those in charge (and arguably most responsible for us standing on the brink) choose a profitable extinction over costly survival. (In the afterword, Scalzi claims that his choice of title, The Collapsing Empire, was not intended as a deliberate commentary on current affairs, but one has to wonder if there wasn't some subconscious nudging at work.) So, despite this being a humorous (if somewhat blackly humorous) take on empire building gone mad and ignorance/wishful thinking trampling science and fact until it's quite literally too late, at times I had to force myself to laugh. It didn't necessarily help that I never connected with most of the characters, or a world that was blatantly built to profit the few at the expense of the many (and the now at the expense of the future.) There's also a minor flaw in the overall plot, in that this is clearly just a lead-in to a larger series; the ending feels incomplete and a trifle dissatisfying, without much of an in-book arc to conclude. There's some sharp commentary and clever (occasionally curse-heavy and crude) humor, but ultimately I felt no compulsion to read onward. The whole just struck a little too close to my reality, I fear.
You Might Also Enjoy:
Sky Coyote (Kage Baker) - My Review
Infinity Welcomes Careful Drivers (Grant Naylor) - My Review
The Android's Dream (Jon Scalzi) - My Review
Sunday, May 19, 2019
Sunday, May 12, 2019
The True Meaning of Smekday (Adam Rex)
The True Meaning of Smekday
The Smek Smeries series, Book 1
Adam Rex
Disney-Hyperion
Fiction, MG Humor/Sci-Fi
****+ (Good/Great)
DESCRIPTION: Gratuity "Tip" Tucci needs to write an essay for a school contest about Smekday, the day the alien Boov first came to Earth... but there's more to write than five pages can possibly hold, and more to say than she wants to reveal.
She was eleven when the Boov arrived, and she knew they were trouble before anyone else, as the first thing they did was abduct her mother. Then they relocated the entire population of America to Florida, claiming the rest for themselves... but Tip doesn't trust their rocket ships, opting instead to drive herself and her pet cat Pig from Pennsylvania. (It's okay - she had to teach herself to drive a while ago, as her flighty mother couldn't always be trusted to run errands, and she only had that one mishap on a sidewalk.) When she reluctantly picks up a mechanic Boov who calls himself J.Lo (and who modifies her hatchback for hoverflight), what started as a simple road trip becomes a cross-country quest to find her mother and save the world - not from the Boov, but from the monstrous aliens who followed the Boov to Smekland (formerly Earth.)
REVIEW: This award-winning title still gets decent circulation at the library where I work, so I figured it was worth a read (or a listen; this is the first audiobook I've reviewed.) From the title and cover blurb, I expected something lightweight, silly even. What I got certainly had plenty of silliness, but with a tooth underneath that occasionally reminded me of Douglas Adams or Terry Pratchett, only geared for a younger audience. The Boov have bubble-based writing and some outwardly ridiculous trappings, but their history mirrors humanity in some sobering ways, and not just their tendency to treat the "noble savage" humans as inferior entities to be swept away into the corner of lands that now "rightfully" belong to them; to paraphrase Tip, the Boov are too smart and too stupid to be anything but regular people like humans. Tip is a resourceful girl - she's had to be, with a mother prone to blowing savings on vacuums or forgetting to buy food - but she has her limits, and is pushed to them more than once on a trying road trip with her alien companion... an alien she initially hates, for what his kind did to her mother and her species, but whom she slowly comes to understand. She also has to come to understand the strengths and weaknesses of other people she encounters, from a group of "lost boys" hiding in an abandoned theme park to self-deluded UFOlogists camped out in Roswell. Several lines had me snickering out loud as I listened, though the silliness (almost) never overstayed its welcome, and there were some moments of gut-sluggingly deep emotion. Aside from an occasional sense of meandering and Tip taking a little too long to figure out one element leading to the climax, I enjoyed the ride, not to mention the audio presentation (by Bahni Turpin.)
You Might Also Enjoy:
Galaxy Quest (Terry Bisson) - My Review
Bad Unicorn (Platte F. Clarke) - My Review
Only You Can Save Mankind (Terry Pratchett) - My Review
The Smek Smeries series, Book 1
Adam Rex
Disney-Hyperion
Fiction, MG Humor/Sci-Fi
****+ (Good/Great)
DESCRIPTION: Gratuity "Tip" Tucci needs to write an essay for a school contest about Smekday, the day the alien Boov first came to Earth... but there's more to write than five pages can possibly hold, and more to say than she wants to reveal.
She was eleven when the Boov arrived, and she knew they were trouble before anyone else, as the first thing they did was abduct her mother. Then they relocated the entire population of America to Florida, claiming the rest for themselves... but Tip doesn't trust their rocket ships, opting instead to drive herself and her pet cat Pig from Pennsylvania. (It's okay - she had to teach herself to drive a while ago, as her flighty mother couldn't always be trusted to run errands, and she only had that one mishap on a sidewalk.) When she reluctantly picks up a mechanic Boov who calls himself J.Lo (and who modifies her hatchback for hoverflight), what started as a simple road trip becomes a cross-country quest to find her mother and save the world - not from the Boov, but from the monstrous aliens who followed the Boov to Smekland (formerly Earth.)
REVIEW: This award-winning title still gets decent circulation at the library where I work, so I figured it was worth a read (or a listen; this is the first audiobook I've reviewed.) From the title and cover blurb, I expected something lightweight, silly even. What I got certainly had plenty of silliness, but with a tooth underneath that occasionally reminded me of Douglas Adams or Terry Pratchett, only geared for a younger audience. The Boov have bubble-based writing and some outwardly ridiculous trappings, but their history mirrors humanity in some sobering ways, and not just their tendency to treat the "noble savage" humans as inferior entities to be swept away into the corner of lands that now "rightfully" belong to them; to paraphrase Tip, the Boov are too smart and too stupid to be anything but regular people like humans. Tip is a resourceful girl - she's had to be, with a mother prone to blowing savings on vacuums or forgetting to buy food - but she has her limits, and is pushed to them more than once on a trying road trip with her alien companion... an alien she initially hates, for what his kind did to her mother and her species, but whom she slowly comes to understand. She also has to come to understand the strengths and weaknesses of other people she encounters, from a group of "lost boys" hiding in an abandoned theme park to self-deluded UFOlogists camped out in Roswell. Several lines had me snickering out loud as I listened, though the silliness (almost) never overstayed its welcome, and there were some moments of gut-sluggingly deep emotion. Aside from an occasional sense of meandering and Tip taking a little too long to figure out one element leading to the climax, I enjoyed the ride, not to mention the audio presentation (by Bahni Turpin.)
You Might Also Enjoy:
Galaxy Quest (Terry Bisson) - My Review
Bad Unicorn (Platte F. Clarke) - My Review
Only You Can Save Mankind (Terry Pratchett) - My Review
Thursday, May 9, 2019
The Dragon's Path (Daniel Abraham)
The Dragon's Path
The Dagger and the Coin series, Book 1
Daniel Abraham
Orbit
Fiction, Fantasy
***+ (Okay/Good)
DESCRIPTION: In a world of thirteen human races, from the common Firstbloods through the bronze-scaled Jasuru and enigmatic Drowned and more, unrest is normal. There's always a crown in contention or a trade route threatened or a treaty violated. But the latest squabblings over the future of the Severed Throne at the heart of Antea may inadvertently be the trigger of an age-ending event, the return of a goddess who may be older than the long-extinct dragons themselves. All it will take is the right people in the right places... or the wrong people in the wrong places.
Half-Cinnae girl Cithrin was raised by bankers after her parents died, learning the trade inside and out, but she's never been entrusted with any business - until the bank's wealth needs to be smuggled out of the ancient city of Vanai before foreign troops invade, and Cithrin's the only one available for the job. She's determined to earn the trust of the man she's come to see as her father, but the journey will bring dangers she could never have anticipated... and opportunities beyond her dreams.
Captain Marcus Wester was once a legend on the battlefield, but now manages a small, nondescript group of mercenaries on minor contracts. At least, he used to, until his underlings were locked up, set to be forced into defending a city doomed to fall. Unless Marcus and his second, the Treglu priest-turned-soldier Yardem, want the same fate, he needs bodies to fill out his contract - and a chance encounter with a troupe of actors just may offer the answer. Only what started as a simple job guarding a small caravan quickly becomes much more complicated, and one of the actors is more than he first appears.
Dawson Kalliam used to be best friends with King Simeon of the Severed Throne, but relations have grown strained of late. The world is changing in ways Dawson can't accept, and new forces are rising in the courts - forces that may spell the doom of Simeon and his young heir. With his influence fading, he must take desperate measures - but even those may not be enough to save Antea from war.
Minor lordling Geder Palliako never expected to amount to much, and never really cared. So long as he can chase ideas through old books, he's content enough... but he has obligations to his betters, which send him out on campaign as the laughingstock of his peers. Tricked, humiliated, reminded at every turn of his inadequacies, he will soon find himself utterly destroyed by machinations he doesn't understand - or remade into an unpredictable new power who might shake the very world to its foundations.
REVIEW: There's something decadently comforting about a good epic fantasy: the feeling of falling into a bright new world full of magic and wonder and danger, immersing in larger-than-life characters and events where good still has an outside chance of triumphing ultimately over evil (unlike reality, too often.) They're the warm-blanket-and-hot-cocoa-by-the-fire equivalent of stories, a sensory indulgence to be savored. I've been in a mood for that comfort, and this book has been lurking in my reading pile for a while.
Did it give me that nice, warm feeling?
Yes and no.
On the plus side, Abraham presents some nice, shiny epic fantasy ideas, both familiar (myriad cities and kingdoms and races, deep history riddled with mysteries, royal courts split by infighting factions under a weakening king, hints of magic and danger) and unique (a goddess whose worshipers have literal spiders in their blood, a world and races engineered by extinct dragons.) He also presents the sort of characters that don't often get the limelight in epics, notably a banker and an awkwardly bookish noble ill at ease with courtly intrigues (at least, one who does not suddenly emerge as a savvy player in games - martial or otherwise - after a few missteps, or becomes a disposable subplot.) Battles exist on the fringes, but aren't the main story drivers.
On the minus side... I never came to truly enjoy spending time with the characters, and thus had a somewhat dimmed view of the wider world they inhabited. Cithrin's banking angle may be different, but underneath that she's yet another underage girl who often needs men to get her out of self-inflicted problems. Marcus is forever rescuing her from herself, with a growing sense of attachment that can't seem to decide if it's fatherly or... not fatherly, made even more uncomfortable by Cithrin's younger-than-advertised appearance that heightens the existing age and experience gap between them. (Am I the only one tired of that little trope/cliche?) And the nobles were just plain unpleasant to be around more often than not; while I understood where they were coming from (in their in-world contexts), I didn't particularly enjoy my time with them. Prologue aside, the story also takes its own sweet time baiting the hook for the greater series arc, the threat that will ultimately (in theory) drive the narrative on a course that only multiple books can contain.
After finishing, I was left with distinctly mixed feelings. Parts of The Dragon's Path definitely intrigued, but I don't foresee myself returning to this series, save finding sequels at steep, steep discounts - and a book that fails to hook me into a sequel is a book that has, on some level, failed, in my opinion. There are other epic fantasies waiting in the pile, other chances to wrap myself in their familiar comforts and unfamiliar worlds; I'm not sure if I need to come back to this one.
You Might Also Enjoy:
Wizard's First Rule (Terry Goodkind) - My Review
Assassin's Apprentice (Robin Hobb) - My Review
A Game of Thrones (George R. R. Martin) - My Review
The Dagger and the Coin series, Book 1
Daniel Abraham
Orbit
Fiction, Fantasy
***+ (Okay/Good)
DESCRIPTION: In a world of thirteen human races, from the common Firstbloods through the bronze-scaled Jasuru and enigmatic Drowned and more, unrest is normal. There's always a crown in contention or a trade route threatened or a treaty violated. But the latest squabblings over the future of the Severed Throne at the heart of Antea may inadvertently be the trigger of an age-ending event, the return of a goddess who may be older than the long-extinct dragons themselves. All it will take is the right people in the right places... or the wrong people in the wrong places.
Half-Cinnae girl Cithrin was raised by bankers after her parents died, learning the trade inside and out, but she's never been entrusted with any business - until the bank's wealth needs to be smuggled out of the ancient city of Vanai before foreign troops invade, and Cithrin's the only one available for the job. She's determined to earn the trust of the man she's come to see as her father, but the journey will bring dangers she could never have anticipated... and opportunities beyond her dreams.
Captain Marcus Wester was once a legend on the battlefield, but now manages a small, nondescript group of mercenaries on minor contracts. At least, he used to, until his underlings were locked up, set to be forced into defending a city doomed to fall. Unless Marcus and his second, the Treglu priest-turned-soldier Yardem, want the same fate, he needs bodies to fill out his contract - and a chance encounter with a troupe of actors just may offer the answer. Only what started as a simple job guarding a small caravan quickly becomes much more complicated, and one of the actors is more than he first appears.
Dawson Kalliam used to be best friends with King Simeon of the Severed Throne, but relations have grown strained of late. The world is changing in ways Dawson can't accept, and new forces are rising in the courts - forces that may spell the doom of Simeon and his young heir. With his influence fading, he must take desperate measures - but even those may not be enough to save Antea from war.
Minor lordling Geder Palliako never expected to amount to much, and never really cared. So long as he can chase ideas through old books, he's content enough... but he has obligations to his betters, which send him out on campaign as the laughingstock of his peers. Tricked, humiliated, reminded at every turn of his inadequacies, he will soon find himself utterly destroyed by machinations he doesn't understand - or remade into an unpredictable new power who might shake the very world to its foundations.
REVIEW: There's something decadently comforting about a good epic fantasy: the feeling of falling into a bright new world full of magic and wonder and danger, immersing in larger-than-life characters and events where good still has an outside chance of triumphing ultimately over evil (unlike reality, too often.) They're the warm-blanket-and-hot-cocoa-by-the-fire equivalent of stories, a sensory indulgence to be savored. I've been in a mood for that comfort, and this book has been lurking in my reading pile for a while.
Did it give me that nice, warm feeling?
Yes and no.
On the plus side, Abraham presents some nice, shiny epic fantasy ideas, both familiar (myriad cities and kingdoms and races, deep history riddled with mysteries, royal courts split by infighting factions under a weakening king, hints of magic and danger) and unique (a goddess whose worshipers have literal spiders in their blood, a world and races engineered by extinct dragons.) He also presents the sort of characters that don't often get the limelight in epics, notably a banker and an awkwardly bookish noble ill at ease with courtly intrigues (at least, one who does not suddenly emerge as a savvy player in games - martial or otherwise - after a few missteps, or becomes a disposable subplot.) Battles exist on the fringes, but aren't the main story drivers.
On the minus side... I never came to truly enjoy spending time with the characters, and thus had a somewhat dimmed view of the wider world they inhabited. Cithrin's banking angle may be different, but underneath that she's yet another underage girl who often needs men to get her out of self-inflicted problems. Marcus is forever rescuing her from herself, with a growing sense of attachment that can't seem to decide if it's fatherly or... not fatherly, made even more uncomfortable by Cithrin's younger-than-advertised appearance that heightens the existing age and experience gap between them. (Am I the only one tired of that little trope/cliche?) And the nobles were just plain unpleasant to be around more often than not; while I understood where they were coming from (in their in-world contexts), I didn't particularly enjoy my time with them. Prologue aside, the story also takes its own sweet time baiting the hook for the greater series arc, the threat that will ultimately (in theory) drive the narrative on a course that only multiple books can contain.
After finishing, I was left with distinctly mixed feelings. Parts of The Dragon's Path definitely intrigued, but I don't foresee myself returning to this series, save finding sequels at steep, steep discounts - and a book that fails to hook me into a sequel is a book that has, on some level, failed, in my opinion. There are other epic fantasies waiting in the pile, other chances to wrap myself in their familiar comforts and unfamiliar worlds; I'm not sure if I need to come back to this one.
You Might Also Enjoy:
Wizard's First Rule (Terry Goodkind) - My Review
Assassin's Apprentice (Robin Hobb) - My Review
A Game of Thrones (George R. R. Martin) - My Review
Friday, May 3, 2019
The Whispering Skull (Jonathan Stroud)
The Whispering Skull
The Lockwood and Co. series, Book 2
Jonathan Stroud
Doubleday
Fiction, MG Fantasy/Horror
**** (Good)
DESCRIPTION: After the incident of the Screaming Staircase, small-time ghost hunting agency Lockwood and Co. - run by preteens Anthony Lockwood, George, and new recruit Lucy - became famous... temporarily, at least. They still struggle to compete with larger, better-funded outfits of ghost-sensitive children fighting the "Problems", the deadly spirits stalking London's nights for over fifty years. A botched case solved by their rivals in the Fittes agency leads to an informal bet: the next time they go head-to-head on the same haunting, whoever fails to crack it first must take out a public ad praising the other. But that was before they found themselves involved with the mysterious corpse of one Mr. Bickerstaff, a Victorian eccentric whose unwholesome obsession with ghosts led to the creation of an artifact so deadly one glimpse of it can be maddening, even lethal - an artifact that kills one of the thieves who steal it shortly after its discovery. Worse, the haunted skull Lockwood keeps in the agency cellar has become "talkative" again, telling Lucy all sorts of half-truths and tantalizing hints that it might know something about Bickerstaff. If she listens to it, they might crack the case before anyone else dies... or the skull's twisted words might kill them all.
REVIEW: Like the first volume in this middle-grade horror series, The Whispering Skull offers a nice blend of eccentric characters, humor, and spooky ghost-hunting action that doesn't water down terror or blunt corners; though there is no graphic violence or gore, some of the hauntings are downright scary, and there are actual deaths involved. Lucy's Talent of hearing ghosts makes her the only conduit for the titular skull's advice and warnings; even as she knows they can't be taken at face value, given the questionable nature of their source, she can't help but be swayed by them. Scholarly George, meanwhile, develops an obsession of his own as they research Bickerstaff and his "bone glass" mirror, which may answer questions about the Problems and about the nature of death itself. As for Lockwood, his tendency to remain inscrutable, particularly about his past, creates problems that could fracture their agency just when they need each other most. Though ghost-hunting has grown them all up faster than ordinary kids, they do remain children at heart in some ways, not quite as mature as grown-ups might be in similar situations... though, in this world, with maturity often comes obsolescence, as spirit-sensing Talents fade with age (even as the touch of a ghost remains lethal; aged-out ghost hunters often remain on as handlers for younger agents, but can do little to protect or help their charges on the job.) Aside from some moments of plot-extending obliviousness (not quite rising to the level of stupidity, given circumstances, but still subtly aggravating at times), the story moves at a fair clip toward a conclusion that, while not entirely unexpected, nevertheless delivers decent thrills and a nice wrap-up, segueing (naturally) into the hook for the next volume. It made for a good read, all in all, and I expect I'll continue with this series through at least one more book.
You Might Also Enjoy:
The Ghost in the Third Row (Bruce Coville) - My Review
Carnacki, the Ghost Finder (William Hope Hodgson) - My Review
The Screaming Staircase (Jonathan Stroud) - My Review
The Lockwood and Co. series, Book 2
Jonathan Stroud
Doubleday
Fiction, MG Fantasy/Horror
**** (Good)
DESCRIPTION: After the incident of the Screaming Staircase, small-time ghost hunting agency Lockwood and Co. - run by preteens Anthony Lockwood, George, and new recruit Lucy - became famous... temporarily, at least. They still struggle to compete with larger, better-funded outfits of ghost-sensitive children fighting the "Problems", the deadly spirits stalking London's nights for over fifty years. A botched case solved by their rivals in the Fittes agency leads to an informal bet: the next time they go head-to-head on the same haunting, whoever fails to crack it first must take out a public ad praising the other. But that was before they found themselves involved with the mysterious corpse of one Mr. Bickerstaff, a Victorian eccentric whose unwholesome obsession with ghosts led to the creation of an artifact so deadly one glimpse of it can be maddening, even lethal - an artifact that kills one of the thieves who steal it shortly after its discovery. Worse, the haunted skull Lockwood keeps in the agency cellar has become "talkative" again, telling Lucy all sorts of half-truths and tantalizing hints that it might know something about Bickerstaff. If she listens to it, they might crack the case before anyone else dies... or the skull's twisted words might kill them all.
REVIEW: Like the first volume in this middle-grade horror series, The Whispering Skull offers a nice blend of eccentric characters, humor, and spooky ghost-hunting action that doesn't water down terror or blunt corners; though there is no graphic violence or gore, some of the hauntings are downright scary, and there are actual deaths involved. Lucy's Talent of hearing ghosts makes her the only conduit for the titular skull's advice and warnings; even as she knows they can't be taken at face value, given the questionable nature of their source, she can't help but be swayed by them. Scholarly George, meanwhile, develops an obsession of his own as they research Bickerstaff and his "bone glass" mirror, which may answer questions about the Problems and about the nature of death itself. As for Lockwood, his tendency to remain inscrutable, particularly about his past, creates problems that could fracture their agency just when they need each other most. Though ghost-hunting has grown them all up faster than ordinary kids, they do remain children at heart in some ways, not quite as mature as grown-ups might be in similar situations... though, in this world, with maturity often comes obsolescence, as spirit-sensing Talents fade with age (even as the touch of a ghost remains lethal; aged-out ghost hunters often remain on as handlers for younger agents, but can do little to protect or help their charges on the job.) Aside from some moments of plot-extending obliviousness (not quite rising to the level of stupidity, given circumstances, but still subtly aggravating at times), the story moves at a fair clip toward a conclusion that, while not entirely unexpected, nevertheless delivers decent thrills and a nice wrap-up, segueing (naturally) into the hook for the next volume. It made for a good read, all in all, and I expect I'll continue with this series through at least one more book.
You Might Also Enjoy:
The Ghost in the Third Row (Bruce Coville) - My Review
Carnacki, the Ghost Finder (William Hope Hodgson) - My Review
The Screaming Staircase (Jonathan Stroud) - My Review
Wednesday, May 1, 2019
You've Got Dragons (Kathryn Cave)
You've Got Dragons
Kathryn Cave, illustrations by Nick Maland
Peachtree Pub Co Inc.
Fiction, CH Picture Book
**** (Good)
DESCRIPTION: Dragons can happen to anyone, at any time. One day, out of the blue, there they are... and they won't go away on their own. Learn how to manage the dragons in your life.
REVIEW: Work was a bit slow today, so I skimmed this off the top of a tote. At the outset, I admit I almost shaved a half-star from the rating; despite the illustrations featuring numerous dragons, it quickly becomes clear that the "dragons" here are being used as a metaphor for anxiety, fear, or other issues that are hard to tackle in a tangible way, especially for children. (When I pick up a book touting dragons, I want actual dragons, dang it!) The boy Ben worries that having a dragon in his life means he's a bad person, until he finds out anyone can find themselves beset by them, including grown-ups - and everyone has trouble coping with them. Ignoring it doesn't help, and it's hard to talk to others, who often don't listen. In the process, he learns how to deal with his dragon, and helps others deal with theirs, with some bits of humor along the way. I wound up forgiving it its use of dragon as metaphor, because this is a book I can see being useful to kids struggling with fears or other issues - useful in a way that doesn't insist one enthusiastically embrace one's "dragons" as opportunities in disguise, when sometimes it's all one can do to endure their existence. At the very least, it's a way to start a discussion with a child who may be having trouble articulating a worry.
You Might Also Enjoy:
Dragon (Jody Bergsma) - My Review
The Dragon Machine (Helen Ward) - My Review
What Do You Do With A Problem? (Kobi Yamada) - My Review
Kathryn Cave, illustrations by Nick Maland
Peachtree Pub Co Inc.
Fiction, CH Picture Book
**** (Good)
DESCRIPTION: Dragons can happen to anyone, at any time. One day, out of the blue, there they are... and they won't go away on their own. Learn how to manage the dragons in your life.
REVIEW: Work was a bit slow today, so I skimmed this off the top of a tote. At the outset, I admit I almost shaved a half-star from the rating; despite the illustrations featuring numerous dragons, it quickly becomes clear that the "dragons" here are being used as a metaphor for anxiety, fear, or other issues that are hard to tackle in a tangible way, especially for children. (When I pick up a book touting dragons, I want actual dragons, dang it!) The boy Ben worries that having a dragon in his life means he's a bad person, until he finds out anyone can find themselves beset by them, including grown-ups - and everyone has trouble coping with them. Ignoring it doesn't help, and it's hard to talk to others, who often don't listen. In the process, he learns how to deal with his dragon, and helps others deal with theirs, with some bits of humor along the way. I wound up forgiving it its use of dragon as metaphor, because this is a book I can see being useful to kids struggling with fears or other issues - useful in a way that doesn't insist one enthusiastically embrace one's "dragons" as opportunities in disguise, when sometimes it's all one can do to endure their existence. At the very least, it's a way to start a discussion with a child who may be having trouble articulating a worry.
You Might Also Enjoy:
Dragon (Jody Bergsma) - My Review
The Dragon Machine (Helen Ward) - My Review
What Do You Do With A Problem? (Kobi Yamada) - My Review
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