ExtraNormal
(A Paranormal Romance, Book 1)
Suze Reese
Valarian Press
Fiction, YA Romance/Sci-Fi
***+ (Okay/Good)
DESCRIPTION: Mira Jones came a very long way to enroll at Los Robles High School in California... through a wormhole from her home planet Nreim. Since discovering Earth, her people have been fascinated as much by its similarities - third planet from a yellow star, genetically similar dominant species - as its differences - a complete inability to understand, let alone manipulate, personal electromagnetic fields, which the locals derisively refer to as psychic nonsense. But some nafarians have gone rogue, doing far more than just observing the curiously backwards humans, manipulating and exploiting them. A linkmated pair of scientists, the Stones, gained global fame for their studies of Earth, but the Nreim council has long suspected them of rogue activities. They just started teaching at Los Robles, for unknown but likely suspicious reasons. Until someone can gather actual evidence of wrongdoing, the council takes the unusual step of sending a teenager to keep an eye on them. She won't be alone - her mother, a government agent, will be with her - but it's still dangerous... and not just because the Stones might figure out she's not a native. Mira underwent stringent training, with a list of forbidden activities nearly as long as the distance from Nreim to Earth; this is, after all, a government mission, not a vacation, and her teenage mind must be protected from distractions. No eating unapproved Earth food. No getting too close with the locals. And absolutely no mingling with males.
Before her first day of school is out, Mira violates the top two commands... and before long, the strangely attractive loner Jesse tempts her to violate the third. But then the handsome new boy Everett appears, and Mira's covert mission becomes more dangerous than she could ever have imagined.
REVIEW: This being a romance, albeit with sci-fi trappings, there are certain givens in the plot. There will be a Handsome Stranger, whom the heroine is destined to love. There will be a Dangerous Rival. And there will be all sorts of complications, real and imagined, standing between the leads and True Love. ExtraNormal faithfully adheres to this formula. Mira spends a fair amount of time pining and fretting and otherwise working herself up over her star-crossed lover, but she manages to not be entirely useless. Jesse's blind devotion from first sight grew a little tiresome, his love always pure and unflagging even as Mira doubts herself, but he was simply playing out his role as the Handsome Stranger. Likewise, Everett plays his role as the villain to the hilt, a serviceable (if not entirely original) baddie whose sole purpose in life seems to be making Mira and Jesse miserable. The story of the rogue aliens, the Stones, often takes a back seat to the angst and romance, but Mira checks in on the subplot often enough to keep them in play, adding a little intrigue and the occasional burst of action. The sci-fi elements of the tale play like soft background music, just loud enough to set the mood (and provide a few more obstacles for Mira to navigate as she sorts her heart.) Anyone looking for hard, or even plausible, sci-fi will walk away disappointed. For what it was, though, ExtraNormal proves decent enough, hitting its marks with confidence, if not stunning originality.
You Might Also Enjoy:
Quozl (Alan Dean Foster) - My Review
Roswell High: The Outsiders (Melinda Metz) - My Review
Sweep 1: Book of Shadows (Cate Tiernan) - My Review
Friday, July 20, 2012
Monday, July 16, 2012
The Hunger Games (Suzanne Collins)
The Hunger Games
(The Hunger Games trilogy, Book 1)
Suzanne Collins
Scholastic
Fiction, YA Sci-Fi
**** (Good)
DESCRIPTION: Panem rose from the ashes of a devastated world, a totalitarian nation built on the bones of North America. Twelve districts kneel to the might of the Capitol, the smoking ruins of the thirteenth sufficient deterrent against rebellion. To flaunt their power over the people's lives, every year the Capitol takes two children from each district as tributes, entering them in the live, televised bloodsport called the Hunger Games. The last tribute standing brings great wealth and prestige to their district... while twenty-three young bodies drive home the Capitol's complete control.
In the coal mining community of District 12, young Katniss Everdeen struggles to support her mother and younger sister. Not only does she turn to poaching to put food on the table, but she barters her own survival, trading multiple entries of her name in the Hunger Games drawings for extra rations. It's a desperate way to live, but in District 12, desperation is the only life she knows. Even so, she never thought her name would be drawn... and it isn't. But when her younger, innocent sister Primrose's name is called at the reaping, Katniss steps forward as a volunteer to take her place. Prim is a healer, not a killer - and, if nothing else, years of poaching have taught Katniss what it means to kill to survive.
Torn from her poor home and thrown into the spotlight, handed over to the care of trainers and stylists and image consultants, all for the "honor" of killing - and likely dying - on national TV, Katniss finds her hard-earned survival skills put to the ultimate test... a test made even more difficult by her fellow District 12 tribute, Peeta the baker's son. A seemingly-sweet boy, the lone familiar face in a sea of strangers, he will soon, like every other tribute, be nothing more than a potential killer once the Games begin.
REVIEW: A fast-paced story, The Hunger Games deftly sketches out its grim future without sacrificing action or characters. Katniss starts out a jaded survivor, with no room in her mind or her life for softer emotions or intrigues. Faced with the almost-incomprehensible world of the decadent Capitol and the manufactured drama of reality TV, not to mention the cold reality of turning her bow on a human instead of a rabbit or deer, she finds she has a lot to learn, and little time to learn it. She proves a little clueless at times, but never about her own survival: rather, it's her blindness to emotions, hers and those of others, that keeps tripping her up. Primrose seems far too angelic to live in the same world that produced Katniss, and Peeta comes across a little too obviously, but other characters tend to reveal hidden facets under the pressure of the Games, in and out of the deadly arena. The story itself is every bit as brutal and grim as one might expect of a world where children kill children for the entertainment (and education) of the masses. Even for the first book of a trilogy, though, I thought it ended on an awkward note; I half-suspect that Collins never intended it to be broken into three books, and that the break was an arbitrary decision on the part of the publisher.
Overall, I enjoyed The Hunger Games. It roped me into a solid day's worth of reading. I expect I'll follow the rest of the trilogy, time and budget willing.
You Might Also Enjoy:
Ender's Game (Orson Scott Card) - My Review
Among the Hidden (Margaret Peterson Haddix) - My Review
Forbidden Mind (Kimberley Kinrade) - My Review
(The Hunger Games trilogy, Book 1)
Suzanne Collins
Scholastic
Fiction, YA Sci-Fi
**** (Good)
DESCRIPTION: Panem rose from the ashes of a devastated world, a totalitarian nation built on the bones of North America. Twelve districts kneel to the might of the Capitol, the smoking ruins of the thirteenth sufficient deterrent against rebellion. To flaunt their power over the people's lives, every year the Capitol takes two children from each district as tributes, entering them in the live, televised bloodsport called the Hunger Games. The last tribute standing brings great wealth and prestige to their district... while twenty-three young bodies drive home the Capitol's complete control.
In the coal mining community of District 12, young Katniss Everdeen struggles to support her mother and younger sister. Not only does she turn to poaching to put food on the table, but she barters her own survival, trading multiple entries of her name in the Hunger Games drawings for extra rations. It's a desperate way to live, but in District 12, desperation is the only life she knows. Even so, she never thought her name would be drawn... and it isn't. But when her younger, innocent sister Primrose's name is called at the reaping, Katniss steps forward as a volunteer to take her place. Prim is a healer, not a killer - and, if nothing else, years of poaching have taught Katniss what it means to kill to survive.
Torn from her poor home and thrown into the spotlight, handed over to the care of trainers and stylists and image consultants, all for the "honor" of killing - and likely dying - on national TV, Katniss finds her hard-earned survival skills put to the ultimate test... a test made even more difficult by her fellow District 12 tribute, Peeta the baker's son. A seemingly-sweet boy, the lone familiar face in a sea of strangers, he will soon, like every other tribute, be nothing more than a potential killer once the Games begin.
REVIEW: A fast-paced story, The Hunger Games deftly sketches out its grim future without sacrificing action or characters. Katniss starts out a jaded survivor, with no room in her mind or her life for softer emotions or intrigues. Faced with the almost-incomprehensible world of the decadent Capitol and the manufactured drama of reality TV, not to mention the cold reality of turning her bow on a human instead of a rabbit or deer, she finds she has a lot to learn, and little time to learn it. She proves a little clueless at times, but never about her own survival: rather, it's her blindness to emotions, hers and those of others, that keeps tripping her up. Primrose seems far too angelic to live in the same world that produced Katniss, and Peeta comes across a little too obviously, but other characters tend to reveal hidden facets under the pressure of the Games, in and out of the deadly arena. The story itself is every bit as brutal and grim as one might expect of a world where children kill children for the entertainment (and education) of the masses. Even for the first book of a trilogy, though, I thought it ended on an awkward note; I half-suspect that Collins never intended it to be broken into three books, and that the break was an arbitrary decision on the part of the publisher.
Overall, I enjoyed The Hunger Games. It roped me into a solid day's worth of reading. I expect I'll follow the rest of the trilogy, time and budget willing.
You Might Also Enjoy:
Ender's Game (Orson Scott Card) - My Review
Among the Hidden (Margaret Peterson Haddix) - My Review
Forbidden Mind (Kimberley Kinrade) - My Review
Sunday, July 15, 2012
Full Guide to Becoming a Real Wizard, Witch or Necromancer (Osari the Wise)
Full Guide to Becoming a Real Wizard, Witch or Necromancer
Osari the Wise; Abraham Atias, translator
Library Tales Publishing
Nonfiction, Spirituality
** (Bad)
DESCRIPTION: Despite centuries of political, social, and religious persecution, the world's ancient magical traditions not only survive, but thrive in the modern world. With the New Age movement and the Wiccan revival, more and more people are discovering the true power behind some of Mankind's oldest, most misunderstood beliefs. But what is real magic? How does one actually go about becoming a true magic-worker? Based on the works of Osari the Wise, this book seeks to answer questions that newcomers, and the just plain curious, may have about real wizardry and other forms of magic.
A Kindle-exclusive title.
REVIEW: Downloaded during a freebie window, this looked like just the sort of thing to inspire and inform my efforts at crafting fictional fantasy worlds. After all, why completely reinvent the wheel when Earth has so many magical systems from which to draw literary inspiration? Unfortunately, this book proved anything but inspiring.
It started on a shaky note, going out of its way to connect true magic to God, and - despite its assertion at equal time for all magic systems - skewing heavily toward Jewish Kabalah traditions. It then wandered, with mind-numbing tediosity, through all manner of historical and prehistorical minutiae of minimal relevance to the subject. (With its repeated emphasis on the fact that a true wizard is a well-read wizard, it seemed that a fair chunk of these dry dissertations could've been condensed with a simple "Further Recommended Reading" list; this eBook was, after all, supposed to be merely an introduction to the subject, not an all-inclusive volume.) Osari also contradicted himself over the course of his book. At the outset, he claimed that the notions of "black" and "white" magic were mostly misunderstandings imposed by outsiders, that all magic flowed from the same, ultimately godly sources and it was only humans who insisted on attaching such connotations; even necromancy, he declares, can be as benevolent or malicious as a body chooses to make it. He then goes on to outline the dark, dangerous, and downright demonic practices of those who would harness dark spirits and dare to coerce the dead from their rightful resting place. Aside from such contradictions, the text walks itself and the reader in circles more often than not, as though trying to pass off sheer dizziness as enlightenment. Poor editing, which butchered several passages and repeated many others, didn't help make this any more readable.
Between the preaching, the tangents, the confusing presentation, and overall tedium, I barely managed to make myself finish. I learned a little from Osari, but not nearly as much as I'd hoped to learn, leaving me decidedly uninspired.
You Might Also Enjoy:
The Learned Art of Witches and Wizards (Anton and Mina Adams) - My Review
The Way of Wizards (Tom Cross) - My Review
Eyewitness Books: Witches and Magic Makers (Douglas Hill) - My Review
Osari the Wise; Abraham Atias, translator
Library Tales Publishing
Nonfiction, Spirituality
** (Bad)
DESCRIPTION: Despite centuries of political, social, and religious persecution, the world's ancient magical traditions not only survive, but thrive in the modern world. With the New Age movement and the Wiccan revival, more and more people are discovering the true power behind some of Mankind's oldest, most misunderstood beliefs. But what is real magic? How does one actually go about becoming a true magic-worker? Based on the works of Osari the Wise, this book seeks to answer questions that newcomers, and the just plain curious, may have about real wizardry and other forms of magic.
A Kindle-exclusive title.
REVIEW: Downloaded during a freebie window, this looked like just the sort of thing to inspire and inform my efforts at crafting fictional fantasy worlds. After all, why completely reinvent the wheel when Earth has so many magical systems from which to draw literary inspiration? Unfortunately, this book proved anything but inspiring.
It started on a shaky note, going out of its way to connect true magic to God, and - despite its assertion at equal time for all magic systems - skewing heavily toward Jewish Kabalah traditions. It then wandered, with mind-numbing tediosity, through all manner of historical and prehistorical minutiae of minimal relevance to the subject. (With its repeated emphasis on the fact that a true wizard is a well-read wizard, it seemed that a fair chunk of these dry dissertations could've been condensed with a simple "Further Recommended Reading" list; this eBook was, after all, supposed to be merely an introduction to the subject, not an all-inclusive volume.) Osari also contradicted himself over the course of his book. At the outset, he claimed that the notions of "black" and "white" magic were mostly misunderstandings imposed by outsiders, that all magic flowed from the same, ultimately godly sources and it was only humans who insisted on attaching such connotations; even necromancy, he declares, can be as benevolent or malicious as a body chooses to make it. He then goes on to outline the dark, dangerous, and downright demonic practices of those who would harness dark spirits and dare to coerce the dead from their rightful resting place. Aside from such contradictions, the text walks itself and the reader in circles more often than not, as though trying to pass off sheer dizziness as enlightenment. Poor editing, which butchered several passages and repeated many others, didn't help make this any more readable.
Between the preaching, the tangents, the confusing presentation, and overall tedium, I barely managed to make myself finish. I learned a little from Osari, but not nearly as much as I'd hoped to learn, leaving me decidedly uninspired.
You Might Also Enjoy:
The Learned Art of Witches and Wizards (Anton and Mina Adams) - My Review
The Way of Wizards (Tom Cross) - My Review
Eyewitness Books: Witches and Magic Makers (Douglas Hill) - My Review
Wednesday, July 4, 2012
At Road's End (Zoe Saadia)
At Road's End
(The Pre-Aztec series, Book 1)
Zoe Saadia
Amazon Digital Services
Fiction, Historical Fiction
**+ (Bad/Okay)
DESCRIPTION: Tecpatl was born a warrior, one of the elite class of fighters defending his great city, capturing vanquished foes to sacrifice for the honor of Quetzalcoatl. He never wished to mingle with peasants and traders... but, after a disastrous raid on a Mayan village, his uncle sent him off as an escort to traders traveling among the northern desert savages. They treat him as a dog, daring to order him, to ignore his advice. Every day he spends on this ignoble mission is another day his name remains sullied - and another day that the upstart, bloodthirsty Aztec tribes might strike at his home, while he languishes in this uncivilized place. And what is he to defend the traders from, in these wastelands?
When they come upon the massacred cliffside dwelling, they think all have fallen... until one young woman emerges from hiding. She speaks some of their tongue, and tells them not only of the terrible raid, but that a great city, Great Houses, lies scarcely a day's walk away. Tecpatl considers women lower than peasants, but something about this foreigner catches his eye. She is nothing but a savage, her people worshipping silly gods who live underground, without even proper castes to define one's place in their bizarre cities. He should be happy to be rid of her. But when darkness threatens the people of Great Houses, a threat that the city elders refuse to acknowledge, Tecpatl finds himself unaccountably torn. He should not care if these unworthy foreigners are too foolish to defend themselves. Besides, the last time he tried to lead warriors, he failed miserably. So why does he find it so difficult to walk away?
A Kindle-exclusive title.
REVIEW: The rich world of the ancient Americas is still a relatively untapped wellspring for fiction, so I thought this might be a different read. The setting, in the days of the Aztecs' rise and the looming collapse of both Anasazi and Mayan cultures, sounded intriguing. Sadly, my vision of this chaotic and pivotal historical era was blocked by Tecpatl, a character so bigoted and full of anger that I just couldn't begin to sympathize with him or his world. The author uses him and his lady love interest (which, in itself, defied the character's logic, as he considers women mere spoils of war for a good portion of the story) to force-feed the reader lessons on the history and cultures of the ancient Americas. I also came to suspect that English was not Saadia's first language; either that, or she needed a third-party editor to clean up her grammar and syntax. Some sentences, while composed of English words, made absolutely no sense whatsoever. These problems, along with a slow and predictable plot, sank what could have been a bland Okay book a half-star in the ratings.
You Might Also Enjoy:
The Jaguar Princess (Clare Bell) - My Review
The Encyclopedia of the Ancient Americas (Jim Green, Fiona Macdonald, Philip Steele, and Michael Stotter) - My Review
The Maya: Life, Myth and Art (Timothy Laughton) - My Review
(The Pre-Aztec series, Book 1)
Zoe Saadia
Amazon Digital Services
Fiction, Historical Fiction
**+ (Bad/Okay)
DESCRIPTION: Tecpatl was born a warrior, one of the elite class of fighters defending his great city, capturing vanquished foes to sacrifice for the honor of Quetzalcoatl. He never wished to mingle with peasants and traders... but, after a disastrous raid on a Mayan village, his uncle sent him off as an escort to traders traveling among the northern desert savages. They treat him as a dog, daring to order him, to ignore his advice. Every day he spends on this ignoble mission is another day his name remains sullied - and another day that the upstart, bloodthirsty Aztec tribes might strike at his home, while he languishes in this uncivilized place. And what is he to defend the traders from, in these wastelands?
When they come upon the massacred cliffside dwelling, they think all have fallen... until one young woman emerges from hiding. She speaks some of their tongue, and tells them not only of the terrible raid, but that a great city, Great Houses, lies scarcely a day's walk away. Tecpatl considers women lower than peasants, but something about this foreigner catches his eye. She is nothing but a savage, her people worshipping silly gods who live underground, without even proper castes to define one's place in their bizarre cities. He should be happy to be rid of her. But when darkness threatens the people of Great Houses, a threat that the city elders refuse to acknowledge, Tecpatl finds himself unaccountably torn. He should not care if these unworthy foreigners are too foolish to defend themselves. Besides, the last time he tried to lead warriors, he failed miserably. So why does he find it so difficult to walk away?
A Kindle-exclusive title.
REVIEW: The rich world of the ancient Americas is still a relatively untapped wellspring for fiction, so I thought this might be a different read. The setting, in the days of the Aztecs' rise and the looming collapse of both Anasazi and Mayan cultures, sounded intriguing. Sadly, my vision of this chaotic and pivotal historical era was blocked by Tecpatl, a character so bigoted and full of anger that I just couldn't begin to sympathize with him or his world. The author uses him and his lady love interest (which, in itself, defied the character's logic, as he considers women mere spoils of war for a good portion of the story) to force-feed the reader lessons on the history and cultures of the ancient Americas. I also came to suspect that English was not Saadia's first language; either that, or she needed a third-party editor to clean up her grammar and syntax. Some sentences, while composed of English words, made absolutely no sense whatsoever. These problems, along with a slow and predictable plot, sank what could have been a bland Okay book a half-star in the ratings.
You Might Also Enjoy:
The Jaguar Princess (Clare Bell) - My Review
The Encyclopedia of the Ancient Americas (Jim Green, Fiona Macdonald, Philip Steele, and Michael Stotter) - My Review
The Maya: Life, Myth and Art (Timothy Laughton) - My Review
Sunday, July 1, 2012
You Are a Writer (So Start Acting Like One) (Jeff Goins)
You Are a Writer (So Start Acting Like One)
Jeff Goins
Jeff Goins, publisher
Nonfiction, Writing
**** (Good)
DESCRIPTION: Wannabe... going to be... would like to be... Enough. You either are or are not a writer. The only way to actually be a writer is to write - not to hide behind safety words and other qualifiers. Those are just delaying tactics, the voice of fear. And you can't be afraid if you want to write.
The author knows this from first-hand experience. He, too, has been there and done that... only he broke through. Learn how he did it, how he went from being a struggling "wannabe" to an actual paid and published writer with a large (and growing) readership.
A Kindle-exclusive title.
REVIEW: A worthy addition to my ever-growing library of writing instruction books, this mixes the tried-and-true "just write already" advice with more modern and specific methods for actually building a writing career. Goins advocates the use of networking and social media to build a platform to present one's work, outlining how he successfully used such methods to go from being a beggar to a chooser in the publishing world. Some of his advice seems tailored more for nonfiction and article writers, but overall it seems sound enough, backed up by his personal triumphs (and occasional failures.) A good, inspiring read.
You Might Also Enjoy:
The Art of War for Writers (James Scott Bell) - My Review
Write a F*$%ing Book Already (Jim Kukral) - My Review
Words to Write By (Elaine L. Orr) - My Review
Jeff Goins
Jeff Goins, publisher
Nonfiction, Writing
**** (Good)
DESCRIPTION: Wannabe... going to be... would like to be... Enough. You either are or are not a writer. The only way to actually be a writer is to write - not to hide behind safety words and other qualifiers. Those are just delaying tactics, the voice of fear. And you can't be afraid if you want to write.
The author knows this from first-hand experience. He, too, has been there and done that... only he broke through. Learn how he did it, how he went from being a struggling "wannabe" to an actual paid and published writer with a large (and growing) readership.
A Kindle-exclusive title.
REVIEW: A worthy addition to my ever-growing library of writing instruction books, this mixes the tried-and-true "just write already" advice with more modern and specific methods for actually building a writing career. Goins advocates the use of networking and social media to build a platform to present one's work, outlining how he successfully used such methods to go from being a beggar to a chooser in the publishing world. Some of his advice seems tailored more for nonfiction and article writers, but overall it seems sound enough, backed up by his personal triumphs (and occasional failures.) A good, inspiring read.
You Might Also Enjoy:
The Art of War for Writers (James Scott Bell) - My Review
Write a F*$%ing Book Already (Jim Kukral) - My Review
Words to Write By (Elaine L. Orr) - My Review
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